Vittorio de Sica 1948
Wide open space created by long shots
use of horizintal streets, and axis towards camera. Contribute to cityscape (as Rosselini, of the city, but different techniques)
film of performances; tense, hard hands
back lighting, generally hard lit
panning shots from the side
rules broken, investigative shooting
bare interiors
scenes- epileptic, final, rain- all hugely overdetermined
deceptively simple, ans simple, byt more themes shooting off than Rosselini
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment