Renoir 1932
Renoir sympathyic to every character, even double crossing bourgeois
Use of Boudu as central/ in relation to others
planting traps around the ouse. low contrast
dreamy interiors, faster film outside
Boudu taking the outside inside/ mixes of this
use of deep space
not realistic in any way
Renoir-elegance hides a fragmented, almost impressionistic narrative
looks easy, but layers and layers make it difficult
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