1964, Jean-Luc Cinema Godard
more classically shot
apart from high high indoor contrast (natural otherwise)
long pans, though not tracking
classical in sense of wider takes, full bodies. Gun Crazy (end of Vivre Sa Vie)
Most Bout de Souffle- ish
deconstructive homage to gangsterism
great fun, all the same
some bits work better than others, there you are
not anti woman, just analysing that strand
Godard is cinema
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