Faust

Groundbreaking in its effects, F.W. Murnau in 1926
Slightly faster pace, in a very free adaption
Again the use of the blazing light and the darkness
Very expressionist. Particularly in the set design. Can see why the budget overran...
Some extremely dynamic framings (influence of Lang?) Harsh dark objects close to camera
Throughout his work, Murnau not afraid to use depth
Frequent uses of superimpositions and various in-camera work
Faster cut, with space generally created by the viewer
Saying that, a lot of two-work, with sensual aspects lingered upon. This film isn’t lying; it really is about love
Many individual shots are works in themselves; perhaps more in the visual side than what can be a rather uneven ride story-wise
For that, an astonishing film on frequent occassions